dc.contributor.author	University Advancement & Communications, University of Regina
dc.date.accessioned	2022-04-25T21:57:37Z
dc.date.available	2022-04-25T21:57:37Z
dc.date.issued	2019-07-04
dc.description.abstract	Canada's relationship with Indigenous peoples and its contemporary significance was the subject of the Globe Theatre production Making Treaty 4 (MT4) this spring. The play is not a historical reenactment but a conceptual performance of events in the lives of Indigenous peoples in the Treaty 4 area from the time of creation to the present. It explores some of history and impacts of colonialism on Indigenous peoples including the loss of buffalo, spread of disease, creation of reserves, residential schools, 60s Scoop, and Murdered and Missing Indigenous Women and Girls.	en_US
dc.description.authorstatus	Staff	en_US
dc.description.peerreview	no	en_US
dc.identifier.uri	https://hdl.handle.net/10294/14712
dc.language.iso	en	en_US
dc.publisher	University Advancement & Communications, University of Regina	en_US
dc.subject	Treaty 4	en_US
dc.subject	Globe Theatre	en_US
dc.subject	Jesse Archibald-Barber	en_US
dc.subject	First Nations University of Canada	en_US
dc.subject	Riddell Theatre	en_US
dc.title	Feature Story: "Making Treaty 4" a powerful, emotional journey	en_US
dc.type	Other	en_US

Feature Story: "Making Treaty 4" a powerful, emotional journey

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